Love and Theft
Luc Besson’s romantic adaptation of the Dracula story owes an unacknowledged debt to Eiko Ishioka, the visionary designer of Francis Cord Coppola’s 1992 classic.
A collection of 836 posts
Luc Besson’s romantic adaptation of the Dracula story owes an unacknowledged debt to Eiko Ishioka, the visionary designer of Francis Cord Coppola’s 1992 classic.
Nick Cave’s beautiful and tragic music brings redemptive catharsis to a grief-stricken city.
‘Avatar: Fire and Ash’ is a Rousseau-esque oikophobic fantasy of evil humans and noble savage aliens.
A new book by Elizabeth Scott-Baumann examines the female poets and literary critics who challenged seventeenth-century England’s male literary establishment.
Why art and science serve different ends.
How we learned to reason poorly with accurate data.
Emerald Fennell’s misbegotten adaptation of ‘Wuthering Heights’ destroys the very structure of Emily Brontë’s classic story.
Andrew Mountbatten-Windsor, Mick Jagger, and the theatre of degradation.
A selection of Quillette essays and interviews examining the cultural, scientific, and legal dimensions of gender identity.
Middlebrow movies weren’t just two-hour escape pods, they functioned as a civic glue, a source of shared language, cross-generational references, and indeed, contemporary American myth.
The race is on to build a base for permanent human habitation on the Moon.
Stanley Kubrick’s comic masterpiece ‘Dr Strangelove’ remains a potent allegory for our times.
It appears that people now find comfort in the idea that the life of even the greatest of writers is no more satisfying than their own.
Radley Metzger’s 1975 hardcore adaptation of a celebrated literary hoax is a vast improvement on the cynical source material.
The sustainable agriculture movement’s ideological opposition to biotechnology undermines genuine environmental progress and food security.